Mortier told the audience of directors, theater administrators and dramaturges that encouraging audiences to see opera onscreen was giving up the crucial element of the art form, the live experience, according to a report from Deutsche Presse-Agentur.Gelb's idea, of course, is to do the latter via the former. Whether it works, or whether the tail wags the dog, we'll see in future.
"We shouldn't bring opera to the movies; we should bring people from the movies to the opera," he said.
Incidentally, the New York Sun carried a more City Opera-specific piece on their new general manager a few weeks ago.
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Absolutely no axe-grinding, please.