Well, Parsifal is over. May be a while before the next really interesting offering.
Metropolitan Opera
Otello (M/F), Francesca da Rimini (T*/SM), Don Carlo (W/SE), Traviata (Th)
It's the battle of the bizarre Verdi casts this week, with Thomas Hampson as Iago with an all-new cast since the fall and Placido Domingo as Germont (!!!) opposite Damrau's Violetta in a revival of the Met's worst production. Perhaps Domingo might refuse to play Germont as the cartoonishly abusive caricature Willy Decker has installed? That would be nice, but even with Nezet-Seguin in the pit I doubt this show can be saved. Don Carlo closes its run with two final performances.
* Tuesday's (starred) Francesca is the one just before this Saturday's matinee moviecast, which means that the camera equipment and lights will be out in force. Do not sit in side orchestra, front orchestra, or side parterre -- the house is not interested in optimizing patron experience on these nights, but in making the eventual broadcast go well.
Carnegie Hall
Stephanie Blythe recital (M)
A Streetcar Named Desire (Th)
Force-of-nature Blythe sings an all-American program tonight in the big hall: more serious stuff in the first half, more pop on the latter. The semi-staged revival of Previn's opera is conducted by Patrick Summers and has a starry cast, including Renee Fleming, Susanna Phillips, Teddy Tahu Rhodes, and Anthony Dean Griffey.
The Box (189 Christie Street)
Gotham Chamber Opera Eliogabalo (F)
The fancy mini-company offers a piece from near the dawn of opera: Cavalli's long-obscure Eliogabalo, here given with decadent-court atmosphere at a downtown nightspot. Interestingly, Sunday's Met Council standout Brandon Cedel is listed as a performer (though likely in a bit part). The run continues through the end of the month.
OT: Avery Fisher Hall
NY Philharmonic B-minor Mass (W/Th/F/SE)
Alan Gilbert's solo lineup for this Bach piece is pretty impressive: Dorothea Röschmann, Anne Sofie von Otter, Steve Davislim, and Eric Owens.
conundrum: Looking forward to Damrau's first Violetta, interested to see what Domingo does with Germont. How to stand the production?? Maybe the best way to paraphrase a line from "Educating Rita" is to listen to it on the Radio.
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