You know, I'd been thinking "Huh -- a new piece without Dawn Upshaw in it..." only to discover they'd cloned her under the name "Jennifer Aylmer" (debuting).
Ahem, seriously: a great theatrical success, no matter what else one might say about the parts. That "else" (mostly positive) later, when I find a bit of time.
UPDATE (12/5): Rather more than three sentences in my long review here.
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Absolutely no axe-grinding, please.